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Open a larger version of the following image in a popup: Flatland, A Romance of Many Dimensions (Edwin A. Abbott), 2016

Flatland, A Romance of Many Dimensions (Edwin A. Abbott), 2016

Mixed Media (painted mural, 24 ct gold, found print, mirror shelf)
Dimensions Variable
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As part of her solo show with Pearl Lam Gallery in Hong Kong, Tantra creates a mural exploring the territory between two and three dimensions—the balance of push and pull. Her works define the clarity between the two but also finds endless ways of distorting it, questioning the relationship between painting and architecture. Influenced by her Balinese heritage, Tantra draws upon a bold and vibrant palette on an architectural scale, exposing the “architecture” of painting on raw linen, creating works that celebrate spectacle and question the decorative, functional, and social role of art. Tantra collages, layers and constructs with colour in her works. Colour, an integral element in the artist’s work, straddles the language of art and industry.
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As part of her solo show with Pearl Lam Gallery in Hong Kong, Tantra creates a mural exploring the territory between two and three dimensions—the balance of push and pull. Her works define the clarity between the two but also finds endless ways of distorting it, questioning the relationship between painting and architecture. Influenced by her Balinese heritage, Tantra draws upon a bold and vibrant palette on an architectural scale, exposing the “architecture” of painting on raw linen, creating works that celebrate spectacle and question the decorative, functional, and social role of art. Tantra collages, layers and constructs with colour in her works. Colour, an integral element in the artist’s work, straddles the language of art and industry.
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