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Your Private Sky (Buckminster Fuller) , 2018 -
Orientated Accurately to the North (Buckminster Fuller) , 2018 -
Your Sky May Be Surfaced Inside (Buckminster Fuller) , 2018
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Sections of Global Map (Buckminster Fuller) , 2018 -
Follow Constellations and Star Paths (Buckminster Fuller) , 2018 -
Polarised Sky, Rotating Screens (Buckminster Fuller) , 2018
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I Have Put Color and Knotted it. Swim! & There is Movement and Movement (Kasimir Malevich), 2018 -
Sun Clock in Day & Star Clock at Night , 2018 -
Zenith of Sky (Buckminster Fuller) , 2018
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Do You Wanna Funk With Me? Installation, 2018 -
Do You Wanna Funk With Me? I (Sylvester) , 2018 -
Do You Wanna Funk With Me? II (Sylvester) , 2018
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You Make Me Feel, Mighty Real I (Sylvester) , 2018 -
You Make Me Feel, Mighty Real II (Sylvester) , 2018 -
You Make Me Feel, Mighty Real III (Sylvester), 2018
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In the Mood for Love, Lee Tung Avenue, Hong Kong, 2018 -
A House in Bali (Sunset Beach), 2018 -
Tabuh Tabuhan Screen II in Sapphire, Violet & Prussian (Colin McPhee), 2018
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A House in Bali (Diptych), 2018 -
Tabuh Tabuhan II in Prussian (Colin McPhee), 2018 -
Tabuh Tabuhan II in Linen (Colin McPhee), 2018
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Bristol Paintworks, Bristol, 2018 -
Sunset at Tanah Lot ( 8.6212° S, 115.0868° E), Facebook London, 2018 -
1947, Folkestone Triennial, Folkestone, 2017
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A House in Bali Egg (Night), 2017 -
A House in Bali Egg (Sunset) , 2017 -
Why I Am Not a Painter No.3 in Linen (Frank O’ Hara),, 2017
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Tabuh Tabuhan in Prussian (Colin McPhee), 2017 -
A House in Bali (Day - Sonia Delaunay), 2017 -
A House in Bali (Night - Sonia Delaunay) , 2017
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Giapponese a Roma III , 2017 -
Tabuh Tabuhan in Linen (Colin Mac Phee), 2017 -
Tuca Tuca - A Springtime Evening in Rome, 2017
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Tuca Tuca - A Springtime Evening in Electric Blue, 2017 -
Giapponese a Roma I, 2017 -
Giapponese a Roma II, 2017
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A Lovemaking Begins You III, 2017 -
A Lovemaking Begins You IV, 2017 -
The Sound of Colours, St Paul's Way Medical Centre, London, 2017
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Diamond Minutes, Hana Bank, South Korea, 2017 -
Palio, Siena, 2017 -
American Life is Charm (Anita Loos), 2016
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E-1027 No.2 (Eileen Gray), 2016 -
E-1027 (Eileen Gray) Triptych panel / screen, 2016 -
Always Be Fond in Sapphire (Oscar Wilde), 2016
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Always Be Fond in Pink (Oscar Wilde), 2016 -
Always Be Fond No 2 (Oscar Wilde), 2016 -
Providence in Sapphire , 2016
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American Life is Charm in Aubergine (Anita Loos), 2016 -
Concrete Expression of a Maximum Difference (No.4), 2016 -
Why I'm not a Painter No.4, 2016
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Zenith / Noon No.2 (Sonia Delaunay), 2016 -
Why I Am Not a Painter No.2 (Frank O’ Hara), 2016 -
Concrete Expression of a Maximum Difference (No.3), 2016
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'A Means of Liberation' , Newnham College, Cambridge University , 2016 -
A Union in Partition, London, 2016 -
Concrete Expression of a Maximum Difference (No.3), 2016
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