• 
  Polarised Skies, Rotating Screens II , 2018
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  Star Clock at Night II , 2018
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  Sun Clock in Day II , 2018

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  Giapponese a Roma in Linen , 2018
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  Zenith of Sky in Prussian , 2018
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  A House in Bali (Sunset Beach) II , 2018

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  The Music is in Me , 2018
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  The Music is in Me III , 2018
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  Your Private Sky (Buckminster Fuller) , 2018

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  Orientated Accurately to the North (Buckminster Fuller) , 2018
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  Your Sky May Be Surfaced Inside (Buckminster Fuller) , 2018
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  Sections of Global Map (Buckminster Fuller) , 2018

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  Follow Constellations and Star Paths (Buckminster Fuller) , 2018
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  Polarised Sky, Rotating Screens (Buckminster Fuller) , 2018
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  I Have Put Color and Knotted it. Swim! & There is Movement and Movement (Kasimir Malevich), 2018

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  Sun Clock in Day & Star Clock at Night , 2018
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  Zenith of Sky (Buckminster Fuller) , 2018
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  Do You Wanna Funk With Me? Installation, 2018

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  Do You Wanna Funk With Me? I (Sylvester) , 2018
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  Do You Wanna Funk With Me? II (Sylvester) , 2018
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  You Make Me Feel, Mighty Real I (Sylvester) , 2018

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  You Make Me Feel, Mighty Real II (Sylvester) , 2018
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  You Make Me Feel, Mighty Real III (Sylvester), 2018
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  In the Mood for Love, Lee Tung Avenue, Hong Kong, 2018

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  A House in Bali (Sunset Beach), 2018
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  Tabuh Tabuhan Screen II in Sapphire, Violet & Prussian (Colin McPhee), 2018
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  A House in Bali (Diptych), 2018

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  Tabuh Tabuhan II in Prussian (Colin McPhee), 2018
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  Tabuh Tabuhan II in Linen (Colin McPhee), 2018
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  Bristol Paintworks, Bristol, 2018

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  Sunset at Tanah Lot ( 8.6212° S, 115.0868° E), Facebook London, 2018
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  1947, Folkestone Triennial, Folkestone, 2017
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  A House in Bali Egg (Night), 2017

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  A House in Bali Egg (Sunset) , 2017
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  Why I Am Not a Painter No.3 in Linen (Frank O’ Hara), , 2017
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  Tabuh Tabuhan in Prussian (Colin McPhee), 2017

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  A House in Bali (Day - Sonia Delaunay), 2017
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  A House in Bali (Night - Sonia Delaunay) , 2017
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  Giapponese a Roma III , 2017

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  Tabuh Tabuhan in Linen (Colin Mac Phee), 2017
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  Tuca Tuca - A Springtime Evening in Rome, 2017
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  Tuca Tuca - A Springtime Evening in Electric Blue, 2017

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  Giapponese a Roma I, 2017
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  Giapponese a Roma II, 2017
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  After Piranesi , 2017

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  Zenith Noon in Sapphire, 2017
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  Zenith Noon No.VI, 2017
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  Zenith Noon No.VII , 2017

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  A Lovemaking Begins You I, 2017
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  A Lovemaking Begins You II, 2017
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  A Lovemaking Begins You III, 2017

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  A Lovemaking Begins You IV, 2017
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  The Sound of Colours, St Paul's Way Medical Centre, London, 2017
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  Diamond Minutes, Hana Bank, South Korea, 2017

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  Palio, Siena, 2017
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  American Life is Charm (Anita Loos), 2016
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  E-1027 No.2 (Eileen Gray), 2016

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  E-1027 (Eileen Gray) Triptych panel / screen, 2016
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  Always Be Fond in Sapphire (Oscar Wilde), 2016
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  Always Be Fond in Pink (Oscar Wilde), 2016

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  Always Be Fond No 2 (Oscar Wilde), 2016
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  Providence in Sapphire , 2016
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  American Life is Charm in Aubergine (Anita Loos), 2016

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  Concrete Expression of a Maximum Difference (No.4), 2016
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  Why I'm not a Painter No.4, 2016
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  Zenith / Noon No.2 (Sonia Delaunay), 2016

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  Why I Am Not a Painter No.2 (Frank O’ Hara), 2016
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  Concrete Expression of a Maximum Difference (No.3), 2016
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  'A Means of Liberation' , Newnham College, Cambridge University , 2016

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  A Union in Partition, London, 2016
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  Concrete Expression of a Maximum Difference (No.3), 2016
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  E-1027 (Eileen Gray) Screen, 2016

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  Flatland, A Romance of Many Dimensions (Edwin A. Abbott), 2016
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  Cyanometer (De Saussure), 2016
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  Study for Always Be Fond (Oscar Wilde), 2016

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  City of Songdo, Songdo, South Korea, 2015
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  Effervescence in Hague (No.3), 2015
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  On Being Blue, A Philosophical Enquiry No.7/3 (William Gass), 2015

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  Concrete Expression of a Maximum Difference No.2, 2015
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  Concrete Expression of a Maximum Difference No.1, 2015